Chemlab Remix Contest


Freaks and Geeks-

First, let me thank all of you, the noise-heads, the dub-steppers and tek-steppers, the machine rockers and all-around knob-panning nut jobs that spent time rejigging the Chemlab track that I passed into your threads to rebuild. It’s been a kick in the head.

As the mixes started to come back, and I sank into their variant and disparate pleasures, I was quickly confronted with a problem. I was having an all-mighty tough time of managing to make a choice from the spread of mixes arrayed before me. Toxic Candies for sheer genius brutality? Hellscion for the set of mega-boots? Yumenomado for totally burning the village with his guitars? The funky boiling mini-mono of The 5ifth’s “Everything Is Boiling” smash? What’s a boy to do?

What intrigued me most about the idea of this contest was hearing the sorts of ways the track would get interpreted. Slavish imitations of the original are a waste of time and really only good for target practice. What was refreshing about the entries here was that people decided the track was either not really done or it needed to be brought to life in unexpected ways. That’s what charges my battery and I got it in spades this time.

In the end, I had to talk to the cool cats at AP and suggest something to them. What I’ve done is to pick two winners and a runner-up. I picked two mixes that pushed as far away from where the track lives as possible while retaining the essence of the song itself. Rony Ramirez’s “Brother Ramirez Latin Mix” and dead_raver’s “Black Acid Reign” mix are the grand prize winners. I thought each approached the song in unique ways that aren't typical and that express radical departures from Chemlab's sound while retaining its essence. They both represent two distinct interpretations that I feel deserve to be rewarded. The runner-up is Toxic Candies “TC Remix” as it reminds me of home without the cloning I detest.

I've had a great time listening to all the mixes and thanks for taking the band into your weirdo-coolio universe. It's been a blast. Now that I’m working on a new Chemlab disc there’ll be more material to bend and unhinge soon.

Stay wired,
-jared

Grand Prize Winners

 

Runner Up

 

Mentions

 

Grand Prize Winner

Sony PSP
Media Manager for PSP
ACID Pro software
Vegas Pro software
Metal Premium Loop Library
Brocabulary: The New Man-i-festo of Dude Talk, with Brocabulary Flash Cards ($14.95). (Learn more )
Merchandise from CHEMLAB



The powers that be have decreed that things have been too bouncy and dancy at ACIDplanet.com® lately, so we’re going to toughen things up a bit with industrial favorites CHEMLAB. Jared has offered up “Binary Nation” for your button-pushing/knob-twiddling/head-banging pleasure.


Win Brocabulary, released October 7:
Click Here for more info on the book Brocabulary.



About the Band

Throughout the 90s, CHEMLAB blazed a fearsome trail through the Indie music scene, alternately setting then breaking every convention of driving Machine Rock. Their music exploits the chaos found when the oil-slick of digital dance grooves meets the sonic, churning water of the guitar's organic roar.

CHEMLABs first full album, Burn Out At The Hydrogen Bar was written in the fuse burned, midi-ghettos of NYC by superuncool co-conspirators Jared Louche and Dylan More with the help of lost gutter saints Mark Kermanj, Steve "Fly" Watson and Ned Wahl. Recorded in 1992 at Chicago Trax studio, Burn Out quickly became the Machine Rock standard against which future records have been measured. Forged of tense, sample-rich programming, drenched in vicious, guitar roar and venting lyrics about a surreal, damaged proto-future, it unleashed a tsunami of rave reviews from magazines as varied as Alternative Press, Raygun, Keyboard and Rolling Stone. The record torched through the charts, trashed dance floors and shoved the band out on endless tours supporting Nine Inch Nails, White Zombie, Skrew and many others. After countless line-up changes and finally joined by rail-gun drummer Servo, CHEMLABs next album, East Side Militia, was written and recorded with old friends William Tucker (Ministry, Foetus) and touring guitarists Geno Lenardo (pre-Filter) and Krayge Tyler ( Virus 23 and before that Crazytown digression). East Side capitalised on the power of Burn Out, four-wheeling CHEMLABs explosive sound through uncharted terrain that mixed hammering dance-rock songs with disturbing ambient nightmares. Again the band received glowing press reviews, and again the record confounded all expectations. CHEMLAB took their gasoline riot shows on the road once more, touring with KMFDM, GWAR, Sister Machine Gun, 16 Volt and more. Tireless gigging, avalanches of critical acclaim, extensive radio play and a reputation for pushing the envelope of the unexpected has built CHEMLAB a broad and ferociously loyal fan base around the world.
The last few years have seen CHEMLAB frontman Jared Louche release a solo record from his decadent new base in London (the critically acclaimed Covergirl, produced by Martin Atkins), collaborate with electro-sex-noise project h3llb3nt (feat. members of CHEMLAB, 16 Volt, Haloblack/X-Lover, Thrill Kill Kult), spread his solo performance smear all over London, the UK and Europe, and tour the US many times with Pigface.

Now suited, rebooted and mutated, CHEMLAB explodes onto the scene once more with their Invisible Records monsterpiece Oxidizer, offering up a musical scornocopia that drags Machine Rock deep into the future. Recorded with Jason Novak and Jamie Duffy (Acumen Nation) and long-time CHEMLAB collaborator FJ (the Aggression), Oxidizer is the perfect synthesis between the violence of Burn Out and the groove of East Side, all of it channelled through a fractured T-Rex filter. The album features long-time CHEMLAB touring guitarist Greg Lucas, who adds a rich Stooges sound to the twisted, motorik programming. Oxidizer was produced by Jared Louche, Jason Novak and Julian Beeston (Nitzer Ebb, Cyber-Tec, Pigface etc). From the vicious Industrial slam of Binary Nation to the destructo-metal chunk of Monkey God, from the outer-spaced sadness of Megahurts to the lipstick-smeared Glam-Punk of Scornocopia, Oxidizer packs a fistful of sharp hooks, swaggering attitude and Machine Rock glory that will resonate long after the latest flavor-of-the-month bands have whimpered into obscurity.

Since the dead-heat summer of 2005 CHEMLAB has resurfaced as a touring entity as well. With the tireless help and sweat of genius programmer, multi-instrumentalist Gabriel from ebm atmosphere-generator mindFIELD (www.mindFIELD.org and also the ever-viral www.myspace.com/mindfieldebm), the band have been playing select "hit-it-and-quit-it" shows around the country with a fully rewired and ever-mutating line-up. Plans are in the ethers for tours both around the US as well as the rest of the globe, so don't touch that dial. We're not done messing with your little universe yet!

MySpace:http://www.myspace.com/chemlab
Website: http://hydrogenbar.com/
The Altered Statesmen: http://www.myspace.com/alteredstatesmenband
P-Rude Project: http://www.myspace.com/prude


www.myspace.com/prude

Tips


At 12:00 a.m. midnight PST on Saturday, December 30, 1899, the contest will be closed and no further uploads will be accepted. If you are new to ACIDplanet, you should create an account and upload a song as soon as possible so that you can work out any problems with uploading that you may encounter. Also, uploading a song can take a considerable amount of time. It's better not to wait until the last few hours of the contest to start uploading your entry.


Entrants must upload a Windows Media format or Real Media format version of their entry first. You will not be able to upload any additional formats after the contest closes, so if also you want to upload an mp3 version, please allow enough time to upload them both before the contest closing time.


Entrants must provide accurate contact information (valid e-mail and postal address) in their registration at ACIDplanet.com for the purpose of contacting winners. You can update your contact information here.

Contest Content Help


No Links? If you do not see the "zip" links to the contest loops, it may be because you are running firewall or security software with Ad Blocking turned on. If so, please temporarily turn it off and the links should appear.


What is the .acd file in the sample remix? The .acd file is an ACID project file that contains a sample remix made from eight to ten of the contest loops. It can help you learn how to use ACID, or give you ideas about remixing the track. You don't need to use it, but you'll at least want to download the sample remix so that you get the loops.


Can't open the ACID project file? The ACID project file (.acd file) is in ACID 5.0 format. It can be opened in ACID 5.0, but not in previous versions of ACID. If you using a previous version of ACID and you wish to view this file, you can either upgrade or download the current version ACID XPress in the Tools area of this page. However, you do not need to view the .acd file to enter the contest. You can simply use the loops in any version of ACID or in any other software.

Contest Dates
Started 10/9/2008
Closed 11/20/2008
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